public art

Image: black words on a white surface as part of a poetry/art mural on a wall

'Street Art Poetry Project' Location 3

Mark Niehus' four-part series cemented his status as a prominent poet and artist in Adelaide.

Historical Thing | By Hannah Stewart, History Trust of South Australia | 2010s

Image: bronze sculpture of pad in an apron pocket

'The Apron' by Karen Genoff

The Minister for Housing & Urban Development commissionned this work by Karen Genoff, an Adelaide local.

Historical Thing | East Terrace | 1990s

Image: woman driving horse and buggy in park

Botanic Park

Botanic Park has blossomed as a place for informal family gatherings and a venue for public events

Historical Place | By Jude Elton, History Trust of South Australia | Parklands | 1850s, 1860s, 1870s, 1880s, 1890s, 1900-1910, 1910s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000-2010, 2010s, 2020s, Aboriginal Country pre-contact

Image: A long two-storey brick terrace building with three large double height arches and decorative gables. Along the street at the front a number of horse drawn carts are parked.

East Terrace

A street in an area of contrasts - the rich, the poor, society figures, outcasts, business, leisure, health and education are associated with East Terrace

Historical Place | By Jude Elton, History Trust of South Australia | East Terrace | 1830s, 1840s, 1850s, 1860s, 1870s, 1880s, 1890s, 1900-1910, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, Aboriginal Country pre-contact, early twenty–first century

Fictional histories of Adelaide

User Story | Southwest corner

Fish for the Slate Pool Walkway

Within Catherine Truman’s work, Fish for the Slate Pool Walkway, the tentative nature of life is captured brilliantly from the depths of Truman’s imagination.

Historical Thing | By Cindy Crook, History Trust of South Australia | North Terrace | 1990s

Image: two brown canvas bags with references to Bob Marley, Aboriginal communities, AC DC, and peace signs

Frome Road and Rundle Street Mural

Originally painted by Carol Ruff and Barbary O'Brien in 1984 and modified by Driller Jet Armstrong in 1998.

Historical Thing | By Hannah Stewart, History Trust of South Australia | Rundle Street east | 1980s, 1990s

Kaurna language (Kaurna warra)

Kaurna, the original language of Adelaide and the Adelaide Plains, is once again being heard.

Historical Subject | By Rob Amery | Aboriginal Country pre-contact, early nineteenth century, early twentieth century, early twenty–first century, late nineteenth century, late twentieth century, mid nineteenth century

Kaurna People

The original people of the Adelaide Plains are still here - and once again speaking the Kaurna language.

Historical Subject | By Lewis Yerloburka O'Brien & Mandy Paul | Aboriginal Country pre-contact, early nineteenth century, early twentieth century, early twenty–first century, late nineteenth century, late twentieth century, mid nineteenth century, mid twentieth century

Image: zoom on blue and purple mural of rhinoceros' face, positioned on a brick wall

Mike Maka Mural

Mike Maka’s mural features a tired rhinocerous carrying the city of Adelaide on its back.

Historical Thing | By Hannah Stewart, History Trust of South Australia | Rundle Street east | 2010s

Image: Narisha Cash's Ngadlu Padninthi Kamanka mural (2017)

Ngadlu Padninthi Kamangka (We Walk Together) mural

Narisha Cash's mural acknowledges and celebrates the Kaurna people as the traditional owners and custodians of Adelaide and the Adelaide plains.

Historical Thing | By Catherine Barron, History Trust of South Australia | North Terrace | 2010s, Aboriginal Country pre-contact, early twenty–first century

Crumpled bronze bag on plinth with grass and plants nearby

Paper Bag

Michelle Nikou's bronze sculpture stands in almost comic contrast with the plinths that populate North Terrace further west.

Historical Thing | By Catherine Barron, History Trust of South Australia | North Terrace | 2010s, early twenty–first century

Reclining Connected Forms

This 1969 bronze sculpture is one of the few pieces by the renowned British artist to be found in Australia.

Historical Thing | By Catherine Barron, History Trust of South Australia | North Terrace | 1960s, late twentieth century

Image: close-up of inside surfaces of the touchstone.

Reconciliation Touchstone

The red granite sculpture captures the plaster imprints of 64 handshakes made at a Reconciliation Week ceremony in 2006.

Historical Thing | By Catherine Barron, History Trust of South Australia | North Terrace | 2000-2010, Aboriginal Country pre-contact, early twenty–first century

Rhythms of Construction

‘Construction’, ‘Thought’ and ‘Optimism’ make up the three elements of this bronze sculpture by Victor Meertens.

Historical Thing | By Catherine Barron, History Trust of South Australia | North Terrace | 1990s, late twentieth century

Image: The multimedia screen emits a rainbow of colors over nighttime pedestrians

Rundle Lantern

The Rundle Lantern is 100% green-powered and the light show is carbon neutral.

Historical Thing | By Hannah Stewart, History Trust of South Australia | Rundle Street east | 2000-2010

Image: Four men and a woman in university graduation attire sit on chairs and pose for a photograph

Before and after the arrival of Europeans, Aboriginal peoples had a well-developed cultural understanding and practical knowledge of plants, animal behaviour, local geology and meteorological conditions. Information they provided was frequently vital to the success – and even survival – of early European navigators and explorers.

Historical Subject | By Pauline Payne | Aboriginal Country pre-contact, early nineteenth century, early twentieth century, early twenty–first century, late nineteenth century, late twentieth century, mid nineteenth century, mid twentieth century