Mark Niehus' four-part series cemented his status as a prominent poet and artist in Adelaide.

The Minister for Housing & Urban Development commissionned this work by Karen Genoff, an Adelaide local.

Recalling the ancient Ichthyosaur, this sculpture invites interaction

The powerful sculpture of Catherine Helen Spence in Light Square, Adelaide celebrates the life and work of a formidable South Australian.

A remarkable and feisty South Australian attorney-general and premier, a father of federation and the first Australian Minster for Trade and Customs is commemorated by this statue

Colonel William Light’s grave remains in Light Square, while Light's Monument there has been replaced and embellished over time

Within Catherine Truman’s work, Fish for the Slate Pool Walkway, the tentative nature of life is captured brilliantly from the depths of Truman’s imagination.

Originally painted by Carol Ruff and Barbary O'Brien in 1984 and modified by Driller Jet Armstrong in 1998.

Affectionately known as the ‘Bonython bath’, this fountain stood outside the South Australian Museum from 1965 to 2005

‘My aim is to leave the world better for women’ – Mary Lee was an activist, suffragist and unionist

Mike Maka’s mural features a tired rhinocerous carrying the city of Adelaide on its back.

Since 1894 Queen Victoria has looked imperiously over the bustle of Victoria Square

The Rundle Lantern is 100% green-powered and the light show is carbon neutral.

A statue of Sir Samuel Way reflects his towering presence in legal, political and cultural circles in the last decades of the nineteenth century.

The bronze figure of Sir Walter Watson Hughes by Francis Williamson stands on a massive block of red granite.

Word artist Richard Tipping prompts us to consider big ideas in his sculpture ‘The Eternal Question’

Adelaide tunnel tales are a perennial favourite in the popular press, and are cheerfully perpetuated by tour operators and publicans everywhere.

A startled Venus caused consternation as Adelaide’s first public statue in 1892

The lives and cultures of ‘Afghan’ cameleers are recognised in Whitmore Square