The Minister for Housing & Urban Development commissionned this work by Karen Genoff, an Adelaide local.

Pigs and people in Rundle Mall

The Aboriginal flag flies high over its birthplace, Tarntanyangga/Victoria Square, a symbol of Aboriginal pride, rights and identity.

The powerful sculpture of Catherine Helen Spence in Light Square, Adelaide celebrates the life and work of a formidable South Australian.

A remarkable and feisty South Australian attorney-general and premier, a father of federation and the first Australian Minster for Trade and Customs is commemorated by this statue

Colonel William Light’s grave remains in Light Square, while Light's Monument there has been replaced and embellished over time

Dame Roma Mitchell is depicted surrounded by her books looking relaxed and at home on North Terrace.

Within Catherine Truman’s work, Fish for the Slate Pool Walkway, the tentative nature of life is captured brilliantly from the depths of Truman’s imagination.

Originally painted by Carol Ruff and Barbary O'Brien in 1984 and modified by Driller Jet Armstrong in 1998.

The John Jefferson Bray Memorial Fountain commemorates the life of a senior judge, scholar and poet

The shining steel and simple form of Knot typifies the work of sculptor Herbert (Bert) Flugelman.

Affectionately known as the ‘Bonython bath’, this fountain stood outside the South Australian Museum from 1965 to 2005

‘My aim is to leave the world better for women’ – Mary Lee was an activist, suffragist and unionist

'Popeye the Sailor' was a popular cartoon at the cinema in the 1930s when Gordon Watts introduced a tourist pleasure craft on the River Torrens

Since 1894 Queen Victoria has looked imperiously over the bustle of Victoria Square

‘Construction’, ‘Thought’ and ‘Optimism’ make up the three elements of this bronze sculpture by Victor Meertens. 

One of many around the world, this statue of Scottish poet Robert Burns was unveiled in 1894

A statue of Sir Samuel Way reflects his towering presence in legal, political and cultural circles in the last decades of the nineteenth century.

The bronze figure of Sir Walter Watson Hughes by Francis Williamson stands on a massive block of red granite.

Word artist Richard Tipping prompts us to consider big ideas in his sculpture ‘The Eternal Question’

Adelaide tunnel tales are a perennial favourite in the popular press, and are cheerfully perpetuated by tour operators and publicans everywhere.

Previously situated on Frome Road, near the corner of North Terrace, the Urban Cow Studio has been operating in Adelaide for around 25 years.

A startled Venus caused consternation as Adelaide’s first public statue in 1892

The lives and cultures of ‘Afghan’ cameleers are recognised in Whitmore Square

At the time of its installation in 1995, Yerrakartarta was the largest public commission of Aboriginal artwork in Australia.